image_JulioGarcíaMurilloHe has a bachelor’s degree in philosophy from the Universidad La Salle (ULSA) and a master’s degree in art history, specialized in curatorial studies, from the Universidad Nacional Autónoma de México (UNAM). He is currently completing research on the Grupo Proceso Pentágono for UNAM. His work encompasses research, artistic production, editing and nonobjective art curatorship, criticism of institutions, and radical museology. His research work has been presented in national and international conferences, and has been published in different academic platforms, in catalogues, and in specialized and independent magazines. He currently coordinates the University Collections Hall at UNAM’s Centro Cultural Universitario Tlatelolco. He is also professor of art history and curatorship at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda.” He is a member of Los Yacuzis, Grupo de Estudios Sub-Críticos, based at Biquini Wax EPS. He is also a member of the Beyond the Mexique Bay Orchestra. Among his recent curator projects are the following exhibits: El retorno del realismo. Siqueiros y la neovanguardia, 1959–1974, at the Sala de Arte Público Siqueiros (Mexico City, 2016); Juan Acha. Por una nueva problemática artística en el Museo de Arte Moderno (as co-curator with Los Yacuzis, Mexico City, 2015–16); Bitácoras de un equívoco en el Parqueadero, at the Project Hall of the Museo de Arte del Banco de la República (Bogotá, Colombia, 2013); and Para no salir del laberinto, at Lugar a dudas (Cali, Colombia, 2013). García Murillo participated as a guest commentator for the presentation of Rafiki’s project.